(...) The book is outlined by the articles (...) That were published in various magazines between 1964-68, while the extensive introduction (...) Binds its positions in a more organized way and says it all. But the author rightly left the other writings in their original form, because this is a more vivid reflection of the struggle of that time that many in Europe and America believed would lead to the "coveted revolution". A harsh and courageous critique of all forms of "status Quo" and an optimism for change, for bold ruptures and innovations. Kofsky lived close to the movement and had constant contact with the pioneers, at least in the field of "black nationalism and resistance to music" which is his main subject. Kofsky's basic principle, which is consistent in all his writings, is that the evolution of jazz can not only refer to its aesthetic level, but that it should also be considered as an aspect of the social position, history and tradition of blacks in America. (...) (from the back cover of the book). Frank Kofsky's (1935-1997) book was published in 1971 by Pathfinder Press. It was translated in greek by Spyros Feggos.